Groove Tubes:
Caring for Microphones
High-quality condenser mics like the Groove Tubes line represent
an investment. A few basic tips will help insure a lifetime of excellent
performance.
Pop Filters and Windscreens
Vocalists exhibit “plosives” in the form of “p”s,
“t”s and “b”s that project extra energy
toward the microphone. With that extra energy comes unwanted pops
in the sound, as well as saliva—another form of moisture that
is not healthy for a condenser mic. For these combined reasons,
a pop filter is highly recommended when recording vocals with condenser
microphones. Typically a thin mesh stretched over a circular frame,
the pop filter is mounted between the vocalist and the mic capsule.
(In a pinch, you can even construct a pop filter with a hanger and
pantyhose.)
Windscreens, as the name implies, are sometimes used in outdoor
recordings in order to reduce wind noise and particulate matter
striking the diaphragm. Windscreens typically consist of a thickness
of foam custom designed to fit over the capsule. Windscreens can
reduce both low and high frequency response, so they are typically
not used as substitutes for pop filters.
Shock Protection
As we’ve seen in previous columns, condenser mics are constructed
with extremely thin diaphragms and very high tolerances. As such,
condensers should be protected from abuse, especially physical shock.
(Groove Tubes capsules are rubber-mounted internally, but caution
still applies.) Keep condenser mics away from situations in which
they might be physically abused. Unlike a dynamic microphone, condensers
should always be mounted on a stand, rather than hand-held (let
alone swung around at the end of a mic cord by a vocalist exhibiting
showmanship). Similarly, wayward drum sticks, guitar necks, violin
bows and the like are not friends of condensers. As indicated earlier,
condensers should only be used live in controlled situations where
the stage is protected from the elements and is the exclusive domain
of professionals. Needless to say, you want to take great steps
to avoid dropping a condenser or knocking over a mic stand holding
one. Duct-taping cables down in order to avoid tripping is recommended.
A soft mount—one that suspends the mic in an elastic web—is
usually desirable because the mount absorbs vibrations from the
floor, passing trucks or airplanes, and any modest inadvertent physical
shock. While hard mounts provide no such shock absorption, they
are sometimes useful in tight situations or when exact placement
is required, such as in an X-Y stereo miking configuration.
Temperature and Humidity
The thin diaphragms and tight tolerances of condenser microphones
make them susceptible to temperature and humidity extremes. Never
use condenser microphones when there is risk of water damage (such
as rain). Avoid high humidity situations such as seaside climates
lacking air conditioning.* The operating temperature of most condensers
is 50ºF to 95ºF. If a condenser has been outside in a colder environment
(such as transporting it in winter), allow the mic to slowly acclimate
to room temperature before applying power in order to avoid condensation
on the capsule. Similarly, be careful not to leave condenser mics
to bake in the trunk of your car on a hot, sunny day. These same
precautions apply to tube power supplies as well.
*Tip: Even the best condenser will start producing a crackling noise
if inadvertently exposed to too much humidity. In this event, an
old trick is to place it near the heat of a light bulb for about
half an hour.
Cleaning and Storage
Always store a condenser microphone in its case when not in use.
Particulate matter such as dust can attach itself to the diaphragm
and cause degradation of performance over time.
In most cases, wiping the metal exterior of a microphone down with
a dry or slightly damp rag will be sufficient to remove dust, dirt,
fingerprints and the like. In the event that further cleaning is
necessary, spray a non-abrasive household cleaner such as Fantastik
or Formula 409 onto a rag and wipe the metal exterior with the rag.
NEVER spray directly onto the microphone as it may damage the capsule.
NEVER attempt to clean the inside of a microphone. If performance
degrades, contact M-Audio for factory repair.
This story is excerpted from our free Record
Now: Choosing and Using Microphones guide, which covers microphone
technology and techniques. It’s available either via download,
or at your local M-Audio dealer.
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